Barcode is a screen with multiple uses, characterised by its versatility. Its footprint depends on how it is used and what shape it is given, lending itself to domestic, commercial and corporate applications.

Constructed from Australian hardwood, stainless steel, and rubber, various size strips of timber are assembled in a random manner and threaded on to the stainless steel cable and tensioned. This creates a free standing, endlessly variable organic form.

Initially inspired by the natural beauty of a stand of gum trees but also echoing the ubiquitous man-made stock control system, I have sought, in the ‘Barcode’ screen, to effectively contrast positive and negative space. The structured randomness reflects both sources of inspiration, while the lineal strength of the piece’s vertical form contrasts with the organic curve of its footprint.

One of the things that I like about the piece is that it takes something that has become so commonplace so as to be almost invisible. By manipulating the scale, I am able to demonstrate a beauty that otherwise would go unnoticed.

When while trying to solve the construction issues I had imagined using tambours and canvas, and perhaps metal tracks for the shape. The more I thought about it the more complex it became. With a bit of time and clarity of thought I realised I needed to pare it back to its essential components for the piece to work. The solution seemed obvious in hindsight, but sometimes this process is necessary.

I aim to design objects that are appealing on different levels; pieces that people will enjoy relating to and using. They need to be beautiful, useful, and perform the task for which they were designed, well. The ‘Barcode’ screen reflects this philosophy.